Tuesday, December 17, 2019

College Student And Mental Health - 1026 Words

Merritt Voit Dr. Nystrom ENGL 1301 – 06 S 26 November 2016 College Student and Mental Health Getting ready to transition into the college lifestyle was something I was both nervous and excited for. The thought of a new school, teachers, friends, and living arrangements all gave me the satisfaction of feeling like a true adult. Knowing that I would finally be the one making decisions for myself and managing my own time seemed like the perfect end to all of the years of being told what to do and where to be. The time finally came and I started my first year of college like any excited freshman, not just thinking but knowing I had it all figured out. Everything seemed to be going well until I found myself frozen at the thought of going to eat lunch in the dining hall. Walking to the dining hall meant the possibility of seeing people I knew or it being overcrowded, but I could not figure out why that was all of the sudden so terrifying to me. After that moment I came to the conclusion that many parts of my daily routine caused me massive amounts of anxiety, something I had never experienced before. The only thing that kept me from believing there was something wrong with me was knowing that I was not the only one. Academic rigor, expectations, changes in everyday routine, and social interactions are all factors that play into a college students mental health. According to a study conducted by the UCLA Higher Education Research Institute, emotional and mental health decline haveShow MoreRelatedMental Health Of College Students1017 Words   |  5 PagesMental Health of College Students The mental health of college students has declined in the last several decades. As some students enter college, their lives drastically changes. They go through many different difficulties in trying to live a college life without realizing what it can do for them. 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The pressures for college level students to succeed while balancing financial, social and academic changes has yet to be studied at a level which directly correlates mental health status with su ccess or failure. A stable or healthy mental health is thought to lead to higher success rates in academia and if so, how to help students achieve a stable mental state is essential in ensuring student reach their highest potentialRead MoreMental Illness Persuasive Speech Outline762 Words   |  4 PagesPersuasive Speech Mental Illness in the College Campus Introduction 1) Quote: Stigma is shame. Shame causes silence. Silence hurts us all. 2) Thesis: Mental Illness in colleges needs to be addressed because of the rise in college students being diagnosed in mental health problems. 3) Reconnect with Audience: What do you think is the numbers of people in America have a mental illness? According to the US Nation Library of Medicine and National Institutes found that 1 in 4 adults have a mental illness. Read MoreCampus Wellness : Availability Of Mental Health Resources Essay797 Words   |  4 PagesCampus Wellness: Availability of Mental Health Resources Executive summary Mental health issues are ever rising in college campuses nationwide. South Carolina has scored poorly with regards to mental health issues. The resources available are scarce and require continued funding to maintain sustainability and provide ongoing support to students and help the community as a whole. Statement of issue Mental health issues are arising in college campuses and affect the students as a result of being facedRead MoreThe Connection Between Stressors And Mental Illnesses1262 Words   |  6 PagesSpecific Aims Cases of mental illness in colleges are growing. There is a increasing number of students in colleges, and with that an increasing number of students developing a mental illness. The hypothesis is that first year students from low income and lower social statuses are developing serious mental illnesses as a result of the high demands of college course loads and as a result are relying on dangerous methods of coping. The project will focus on the following: The connection between

Monday, December 9, 2019

Last one out Essay Example For Students

Last one out Essay In August 1991, Brass Tacks Theatre of Minneapolis announced it was closing, effective immediately. The theatre had no debt, the board and artists were united, the past season successful and fund-raising for the upcoming season secure. The theatre thanked all of its funders prior to the public announcement and served notice it would not be able to accept over $40,000 in funds already awarded for fiscal year 92. The theatres annual budget was a little less than $200,000 at the time of closing. Brass Tacks was widely known and respected for its productions of new works by writers such as Lee Blessing, Sherry Kramer, Darrah Cloud, Kevin Kling, Jon Klein, Steven Dietz, Mac Wellman, Eric Overmyer, Jeff Jones, Len Jenkin and Jim Stowell. So you want to know why. There must be something, some dirty little secret, a buried body or two something. No one just walks away from her baby. In fact there are lots of dirty little secrets and hundreds of buried bodies. Look around, is there one in your office? In the months before we went public with the news of the theatres closing, I kept finding myself in Kafkaesque situations, announcing Brass Tackss impending demise to people who were busy arranging funerals of their own. The first came last spring when the associate artistic director of a prominent theatre came to Minneapolis to see me. She and her theatre had promised to do a production of my play, Dr. M. Kurtzs Christian Radio Hour, in the summer. We went to lunch, and she kept asking me questions about Brass Tacks, which I kept shrugging off. Finally, I asked about production plans for my play. I learned she had been let go in a round of budget cuts and the second stage was backing off from new work. She wanted me to hire her, thats why she was in town. I told her I didnt think there would be anything for her at Brass Tacks. What I didnt tell her is that there wouldnt be a Brass Tacks. The same spring, I got a call from Keryl McCord, the executive director for the League of Chicago Theatres. She wanted to fly me down to give a talk to arts groups in trouble, as I had in San Francisco in 1989, after Brass Tacks had been successfully streamlined. Thinking she would not want an ex-artistic director, I came clean about my decision to resign. She said she wanted me at the conference more than ever. A few weeks later an assistant phoned: the conference had been indefinitely postponed lack of funds. In late July, I called Nello McDaniel, executive director of FEDAPT, the arts management service organization, and told him the news. He seemed distracted. He was packing boxes. FEDAPT was closing. Nello and George Thom have moved on to a new approach and new organization, Arts Action Research, because they,re so convinced that old methods are not going to bring relief and change to the arts. I wrote Ben Cameron, director of the Theater Program at the National Endowment of the Arts, so we could stop the grant wheel from churning there. Ive known and admired Ben for years and felt especially close to him because he led me to re-organize Brass Tacks during a fiscal crisis the theatre experienced in 1988. I wrote: We are not in crisis or debt, the board and I are closer than ever, our new structure perfectly fine. I want to pursue my writing. After much thought I have concluded that being an artist while running a small not-for-profit in this currently hostile climate is a flawed strategy. The theatres survival seems to hinge on factors frequently beyond our control. The Twin Cities largest newspaper is giving the arts significantly less coverage. Theatre rental is rising and suitable space options narrowing. Spiraling production costs have rapidly outpaced the theatres ability to generate revenue, earned or contributed. In one year our health benefits costs alone nearly doubled. Because of the nature of our mission we have been unable to attract a sizable core audience, yet we are increasingly dependent on ticket sales. The arts industry is over-regulated and plagued by changing demographics. I am discouraged by the relentless attack of the arts from the left and the right. I am sick to death of Donald Wildmon and political correctness. One of my childhood memories is of visiting some elderly relatives in Gerardville, Penn. after all the coal had been mined out. With Irish stubborness, they had stayed on while the town dried up. It was a learning experience. .uad85e8cdf7d5b3e425d7903887ee26f0 , .uad85e8cdf7d5b3e425d7903887ee26f0 .postImageUrl , .uad85e8cdf7d5b3e425d7903887ee26f0 .centered-text-area { min-height: 80px; position: relative; } .uad85e8cdf7d5b3e425d7903887ee26f0 , .uad85e8cdf7d5b3e425d7903887ee26f0:hover , .uad85e8cdf7d5b3e425d7903887ee26f0:visited , .uad85e8cdf7d5b3e425d7903887ee26f0:active { border:0!important; } .uad85e8cdf7d5b3e425d7903887ee26f0 .clearfix:after { content: ""; display: table; clear: both; } .uad85e8cdf7d5b3e425d7903887ee26f0 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .uad85e8cdf7d5b3e425d7903887ee26f0:active , .uad85e8cdf7d5b3e425d7903887ee26f0:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .uad85e8cdf7d5b3e425d7903887ee26f0 .centered-text-area { width: 100%; position: relative ; } .uad85e8cdf7d5b3e425d7903887ee26f0 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .uad85e8cdf7d5b3e425d7903887ee26f0 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .uad85e8cdf7d5b3e425d7903887ee26f0 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .uad85e8cdf7d5b3e425d7903887ee26f0:hover .ctaButton { background-color: #34495E!important; } .uad85e8cdf7d5b3e425d7903887ee26f0 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .uad85e8cdf7d5b3e425d7903887ee26f0 .uad85e8cdf7d5b3e425d7903887ee26f0-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .uad85e8cdf7d5b3e425d7903887ee26f0:after { content: ""; display: block; clear: both; } READ: Eva Smith Original Writing Piece EssayI believe that whats happening in this country is reflected in our arts: diminishing, divided, dishonest and in debt. Its a time for speaking truth, for asserting our place in public. Let us go boldly not whining and backbiting into the night. Let the lines be drawn. Research and development is our hope for the future. Actively participating as artists in the education of our nations children is essential. If the price of maintaining the NEA is to be labeled deviant, let the right have it. If funders want us to become social workers to solve all of societys ills, lets tell them to keep their money. We must reject the roles of martyr, p ervert and politically correct messiah. We have allowed government, funders, boards and administrators to define us rather than defining ourselves. We are part of a massive struggle for the cultural and spiritual agenda of this country. It is no time for Band-aids. We must confront the idea that the world has fundamentally changed, and that our future depends on our acceptance and willingness to embrace that change.

Monday, December 2, 2019

Righteous Hamlets Revenge Essays - Characters In Hamlet,

Righteous Hamlet's Revenge Righteous Hamlet's Revenge In the story Hamlet we have a young man who is seeking revenge for the death of his father. The person who was responsible for the death of Hamlet's father was Claudius. Hamlet had opportunities to kill Claudius, and even in the end, when he was most assuredly going to put an end to Claudius' life, he hesitated. There is much speculation as to why Hamlet hesitated, and why he didn't just kill Claudius as quickly as possible. Hamlet did so in order to ensure he did it right and that it was a righteous killing, and not one based on rage and emotion. Hamlet had every reason to be viciously angry with Claudius for he was responsible for the death of Hamlet's father. Hamlet, throughout almost the entire work, was completely dedicated to the reality of killing Claudius. But, he studied himself, he studied the reasons behind the vengeful thinking, and he investigated all the information that clearly supported the fact that Claudius murdered his father. Now, Hamlet knew this, but he was a good man and needed to have irrefutable proof if he was to kill Claudius in any state of righteousness. Hamlet was a good man. This does not mean that he was perfect, nor does it mean that he was incredibly righteous in every aspect nor did he perhaps always do things in the manner they should be done. But, he was a good man because he always examined what it was he was doing, or what he was planning. He examined these things so as to ensure that he went about vengeance in the most righteous manner possible for him. It was not merely a murder for revenge, but a murder for the land and for the people. It was not for Hamlet alone, but for the society that had been harmed by the existence and the actions of Claudius. Hamlet understood this aspect, and needed all his time of investigation in order to clearly establish his reasoning. One particular concern involved with performing his vengeance in a righteous manner, according to Moore, is that which adheres to stipulations in the Bible. He claims that, for one, If found guilty of murder this man will be executed by the avenger, and secondly claims that there needs to be two witnesses to perform such revenge (Moore). Now, if Hamlet had killed Claudius as Claudius had killed Hamlet's father it would not have been a righteous killing. Hamlet was adhering to some ancient laws concerning the vengeance upon one who kills, especially one who kills a family member. In light of this, we see that Hamlet needed to obtain all the proof he could in order to have the right to kill Claudius. This was the righteous approach and in his efforts to increase the righteous nature of his people, he was bound by honor to do things the right way. This is seen, in a different light, in the following: The truth is that Hamlet has no opportunity to kill the king and then justify his action, until the end, when 'providence' provides the opportunity. Heroes of earlier revenge plays soliloquize about having to delay, and criticize themselves for it. But revenge plays require that the revenge take time and planning -- or there would be no play (Friedlander). This fits in with the theory being presented as well, for Hamlet had no opportunity, considering the information he possessed at any given time, to do the job properly until the end. And, it is true that without the suspense and the investigation along the way, there would be no play, or at least a play that does not have the power to live for centuries as this one has done. Overall, it is clear that, up until the end, Hamlet had many reasons, all righteous, why he did not kill Claudius until the time he had chosen. Hamlet hesitate in killing Claudius, it would have taken only a second. This causes many to wonder why he stopped. He was obviously energized for the act, for his mother had just been slain by mistake, and he was enraged. So why, now when he had a chance, did he